土地作為地景放大鏡 Land as a Magnifying Glass of the Landscape

活動訊息 Info:

文化是軟作用力,隨著時間改變的文化影響下,地景發展穿越了許多階段,或許最終抵達其自身循環的終點。文化和自然的共同運作創造了社會生活的脈絡,透過環境思考我們的家和社區,創造關於家鄉記憶的另類敘事,讓人不再是環境的產物,環境才是人類心智的源頭,地景正是我們所形塑的文化表達與書寫。

Culture is a gentle force, and as culture changes over time, the landscape develops through many stages, perhaps eventually reaching the end of its own cycle. The operation of culture and nature creates the context of social life. Thinking about our homes and communities through the environment, creating alternative narratives about the memories of our homes so that people are no longer products of the environment. Still, the atmosphere is the source of the human mind, and the landscape is the cultural expression and writing that we shape.

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大漢溪濕地生態廊道 v.s 賈蒂旺宜紅土文化實踐

這裡,曾經是大家不敢靠近的區域-垃圾棄置場所、髒亂不堪的大漢溪河濱地,經過了許多年的整治,如今轉變為淨化汙水的人工濕地,改善昔日水質汙染嚴重的生態環境,創造多樣性的生態棲息空間,也吸引了多樣豐富的物種。

新北市板橋區的大漢溪沿岸坐落了8處人工濕地,景澤創意帶進了人與自然共生的新思維,邀請藝術家們透過親近土地,推廣環境意識。濕地在城市裡扮演的角色是什麼呢?如果我們仔細觀察,地景也有自己的時間軸,隨著世代變遷,人文景觀也有了堆疊的痕跡與累積出來的厚度。

對應著印尼西爪哇,

一直都是處於天然資源豐富的源頭,紅色土壤養活了上百、上千萬人的生計。賈蒂旺宜村落大部分是蘇丹人,在21世紀之後, Jatiwangi art factory 開始意識到環境永續性的重要性,長期從土壤元素發展多網狀的文化實踐,像是以屋瓦改製成樂器,成為全村落的演奏樂器、邀請設計師、藝術家從材質出發,探索創新形式和商業模式。那麼,該地組織和居民會如何思考土壤的無形與環境藝術呢?接近原始的賈蒂旺宜村落至今還是 #燃燒方式處理垃圾,新北市大漢河濱地已經從 #垃圾棄置場所,化身為城市中的 #淨化地;這樣的時空置換,不禁讓人引發各種思考。土地作為地景放大鏡,相信會是一場有意思的對話。

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December 19, 2021|14:00-15:30 (GMT+8)
Zoom ID: 886 4465 7887
PW: 284337
*Conducted in English

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14:00 – 14:05|Opening & Intro
14:05 – 14:20|Sharing by Wu Szu-Ju of Vision Union Creative Studio
14:20 – 14:35|Sharing by Chen Kuan-Jung of memos for home+
14:35 – 14:50|Sharing by Ika Yuliana, Jatiwangi art Factory
14:50 – 15:10|Sharing by Illa syukrillah syarief, Jatiwangi art Factory
15:10 – 15:30|Panel Discussion
15:30 – 15:40|Q&A, Closing


關於嘉賓 About Special Guests:

吳思儒 Wu Szu-Ju
景澤創意有限公司主理人 Director of Vision Union Creative Studio

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國立臺北大學|自然資源與環境管理研究所 碩士
專長領域:環境教育、社區營造、生態調查、文化研究、社會設計


陳冠蓉 Kuan-Jung Chen
藝術家 &「想像一個家/+」計畫發起人
Artist and Founder of Memos for my next home

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作為一名社區藝文/設計工作者,陳冠蓉關注都會裡人們流動的生活型態,2016年開始透過「想像一個家/+」計畫,採集個人與群體的棲居記憶。曾發表與參與式藝術共創相關作品,包含《日常回聲》、《畫家常》,與《食.物.誌》等。近年來並持續通過與飲食有關的專案,探索女性及地方文化有關的課題。這次的講座分享題目《流域心生》從人工濕地開始的生態與流域文化探索。

She works as event planner, editor, and artist. She is interested in exploring relations between people, communities, and urban landscapes. After having 4 years of experience as project coordinator in the art and design field, she started her first artistic project ‘Memos for my next home’ in 2016. By home floorplan drawing, food making, and fermentation workshops to explore cultural diversity, and possible ways of building one’s ideal lifestyle. She will share recent project “Watershed Mindfulness”, the exploration of ecology and watershed culture from artificial wetlands.


伊卡·尤利安娜 Ika Yuliana
賈蒂旺宜藝術工廠 Jatiwangi art Factory

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伊卡·尤利安娜,1992年出生於班達亞齊,在北蘇門答臘度過童年,然後移居雅加達繼續她的廣播新聞學研究。2017 年移居西爪哇賈蒂旺宜,並加入賈蒂旺宜藝術工廠,受到 pantura 和古典塔林音樂的啟發,發起了 Pantura 圖書館,並與 LAIR 開展了音樂項目。目前在印尼大學攻讀社會人類學碩士學位,對城鄉發展和可持續生計議題進行研究。

Ika Yuliana (1992) was born in Banda Aceh, spent childhood in North Sumatra, and migrated to Jakarta to continue her studies in Broadcast Journalism. In 2017, she moved to Jatiwangi, West Java, and joined the Jatiwangi art Factory, initiated an alternative Pantura library, and a music project with LAIR which is also inspired by pantura and classical tarling music. Currently pursuing a master’s degree in Social Anthropology, University of Indonesia, and having research interest in rural-urban, and sustainable livelihood issues.


伊拉·斯育克里拉·斯亞理夫 Illa syukrillah syarief
賈蒂旺宜屋瓦博物館創辦人 Founder of Museum Genteng Jatiwangi

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伊拉於1977年出生於馬賈連卡。他是一名文化實踐者,生活和工作在西爪哇馬賈連卡的賈地旺宜。他的文化實踐側重於陶土文化、社區和村莊文化景觀之間的關係。2015 年,他與賈蒂旺宜藝術工廠合作發起了陶土文化博物館和 Jatiwangi Cup Festival (賈蒂旺宜瓦廠工人的健美比賽)、與建築師 Ginggi Syarif Hasyim 和 JaF 共同創辦 Museum Genteng Jatiwangi (Jatiwangi Roof Tile Museum)。2021年初,他創立了 Posyandu Terracotta 陶瓷實驗室,主要研究紅土產品,專注於材料資源和設計。

Ila was born in Majalengka, 1977. He is a cultural practitioner who lives and works in Jatiwangi, Majalengka, West Java. His cultural works focus on the relation between clay culture, the community and cultural landscape in Jatiwangi. In 2015, he initiated the Museum of Clay Culture, and the Jatiwangi Cup Festival (bodybuilders contest for roof tile factory workers in Jatiwangi) in collaboration with Jatiwangi art Factory.  Later on, with Ginggi Syarif Hasyim and JaF, he founded Museum Genteng Jatiwangi (Jatiwangi Roof Tile Museum). In early 2021 he founded the Posyandu Terracotta, a ceramic lab that does research on terracotta products, focusing on both material resources and design.


主辦單位 organizer:細着藝術 SUAVEART
合作單位 co-organizer:賈蒂旺宜藝術工廠 Jatiwangi art Factory、泰美教育基金會 Taimei Educational Foundation
贊助單位 sponsor:國藝會 NCAF

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